Thanks!This doesn’t look like underdevelopment to me, but underexposure by about 1/2 to 1 stop.I placed an order for the Fantome film, and so will wait out the Babylon version. There certainly does seem to be less contrast to this film – even taking into account the apparent slight underdevelopment. VR400 was originally sold between 1982 and 1986. I think I might have even stopped down slightly – I can’t entirely remember. I’ve shot a lot of lomo 800, but just recently shot some 400 but haven’t develo…,Beautiful colors. I will give it a try too.Films for holiday in Mallorca. I also think this film might be more versatile, if such a statement can be made about such low ISO film? I can’t see how an extra 4 minutes will brighten up the images.But.. you know what to do – shoot another roll at the same settings and have Duncan bake it for 10 minutes and report back!I really like your shots with this film. !Which film would suit me better moving forward would definitely come down to my expected subject matter and desired outcome… but isn’t that in itself the joy of having all the different films we have to choose from on the market today?! The “mood” of these images I find really brilliant. It’s doubtful that ORWO was the source of the film for the movies of the German New … The colour palette was definitely from the 1980’s, I remember it well, muted colours with a slight sort of brownish hue. On the way out, I took the opportunity to grab this shot – I figured if it was lower contrast, I would get more in the shadow detail on the shaded side of her face and body.The next day, toward the end of the afternoon, I took the opportunity to return to the flooded river bank. The focusing distance was checked with a Voigtlander rangefinder, normally used in the flash shoe on top of my Vito B.My usual lab processed and scanned the rolls.So, what did Lomography Color Negative 400 look like through an 80 year-old lens and with a (possibly) 36 year-old film formula?The backing paper worked fine with no print. On the way down, I spotted this building in varying degrees of shade figuring it might give me a good idea of how much contrast this film has.This next shot just felt like a must. Contrary to popular belief, I am not an AI.The film is actually Ferrania Solaris FG Plus 400,This is cool to read!

I’d love to shoot it with my C330f or Makina. The forums also mention problems with the paper backing. Shop with confidence. The cathedral photos were exposed for 1 second at f/8.The organ negative (below), is lacking density in the lower part of the image but still has retained detail and isn’t apparently any grainier, this was a very high contrast shot. Starting in 1992 with some Viennese students falling in love with the aesthetic of a particular Soviet camera (the iconic LC-A) - they founded a movement and a company that would introduce a new generation to the joys of plastic cameras and experiemental film. Therefore it shows a very grainy and high-contrast look in the photos. Just as with the roll of Fantôme, I sent it to be developed by Duncan at SilverPan Film Lab, the notes for the two films he sent back were as follows:Both films were developed in a Patterson Tank in fresh stock D96 with standard agitation (30sec + 1 inversion every 30sec.Despite this, I was not unhappy with the results at all. There were no film faults visible.The film handled contrast surprisingly well. I think It gives you a visual understanding of…,I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50).

Back in late March I told you about my first experiences shooting Lomography’s new ‘.Just as with the Fantôme Kino film, I shot this new Babylon Kino film with my Nikon F80. Like with the 8 ISO film, the 13 ISO film allowed me some very shallow depth of field even in the sunshine.Now, it this stage you might be thinking that some of these look a little underexposed, despite me shooting them at EI12. I must say that I thoroughly enjoyed using Lomography Color Negative 400 in my Voigtlander Brilliant camera, it put a smile on my face, especially when the scans popped through the letter box!At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. Fantôme Kino B&W ISO 8 35mm film is available for pre-order five packs of the film through the Lomography website starting today for $35.60. See each listing for international shipping options and costs.Something went wrong. To the best of my knowledge, ORWO (Original Wolfen) is the only producer of cinematic film in Germany that has been in constant operation since the early 20th century.

Perhaps I’ll give it a try too. On the tablet screen, these look underexposed and a bit muddy. I exposed the film for the shadow detail at EI 400.The Brilliant’s max shutter speed is 1/175 which meant that most of the sunny exteriors used f/11 and the dull ones at f/8. I don’t think this film is for me, but I really do enjoy your grasses exposure.

Find great deals on eBay for lomography film and lomography film 35mm. It’s perfect for intimate portraits and soft storytelling scenes, rendering gorgeous light effects across candid close-ups too.The Babylon Kino B&W Film is the fourth in our B&W Kino Film Family – our very special collection of multiformat monochrome masterpieces.

Whether you’re an analogue amateur or a seasoned pro embracing a new film can be a challenge.

I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago. But I like the results. These swans were all lined up enjoying the sunshine.

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